Enhypen lands first No. 1 as Dolly Parton reenters top five
Enhypen land first dolly chart milestones on the same Billboard 200 week: K-pop group Enhypen topped the albums chart with "The Sin : Bliss," their first No. 1, while Dolly Parton's "Ultimate Dolly Parton" reentered at No. 5 after her death drove a massive streaming surge. The dual headlines underscore how global fandom and posthumous catalog momentum can reshape the U.S. albums chart in a single frame.
Key Takeaways
- Enhypen moved 98,000 equivalent album units in week one with "The Sin : Bliss," their first Billboard 200 No. 1.
- Dolly Parton's 2003 greatest hits set "Ultimate Dolly Parton" reentered at No. 5 with 59,000 units, her second-highest-charting album ever.
- Parton's Spotify streams jumped more than 1,260% globally in the first 24 hours after her death was announced.
- Enhypen marks their seventh top 10 album in four years, following prior No. 2 peaks with "The Sin : Vanish" and "Romance : Untold."
- Ella Langley, Olivia Rodrigo, Morgan Wallen, Katseye, and Stray Kids also claimed top 10 spots.
Why did Enhypen land their first No. 1 on the Billboard 200?
Enhypen moved 98,000 equivalent album units during the first tracking week for "The Sin : Bliss," according to Variety. That debut propelled the K-pop act to their first No. 1 on the U.S. albums chart.
The milestone caps a steady four-year run on the Billboard 200. Enhypen previously peaked at No. 2 with "The Sin : Vanish" earlier in 2026 and hit the same position with 2024's "Romance : Untold." "The Sin : Bliss" is now their seventh top 10 entry in that span.
For Enhypen fans, the jump from repeated runner-up finishes to a chart-topping debut confirms the group's sustained commercial momentum in a crowded global market. It also signals that the "The Sin" project cycle continues to draw strong first-week demand.
How did Dolly Parton reenter the top five after her death?
Parton died at 80 following a short battle with cancer, and listeners responded by revisiting her catalog at scale. "Ultimate Dolly Parton," a greatest hits collection originally released in 2003, re-entered the Billboard 200 at No. 5 with 59,000 equivalent album units.
The album had peaked at No. 112 when it last appeared on the chart in 2019. This week's resurgence gives Parton her fourth top 10 album and her second-highest chart position ever. Streaming data illustrates the magnitude of the renewed interest.
On Spotify, total streams for Parton rose more than 1,260% globally and 2,320% in the United States within the first 24 hours after her death was announced. Individual tracks surged sharply: "Jolene" climbed 630% globally and 1,225% in the U.S., "9 to 5" rose 620% globally and 1,030% in the U.S., and "Islands in the Stream" increased 525% globally and 1,235% in the U.S.
What else landed in the Billboard 200 top 10 this week?
Beyond Enhypen and Parton, the upper tier mixed country, pop, hip-hop, and K-pop. Ella Langley's "Dandelion" debuted at No. 2, Olivia Rodrigo's "You Seem Pretty Sad for a Girl So in Love" opened at No. 3, and Morgan Wallen's "I'm the Problem" held at No. 4.
Positions six through 10 went to Katseye's "Wild," Noah Kahan's "The Great Divide," Stray Kids' "This & That," Drake's "Iceman," and Ariana Grande's "Petal." The lineup shows how chart competition this week spanned multiple genres and fan bases.
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